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The Infowars review of Mad Max: Fury Road caused a lot of controversy between those who agreed the movie was filled with feminist propaganda and those who saw it as an action film and nothing more.

Infowars reviewed Fury Road on Friday after mainstream media attacked the popular masculine blog Return of Kings for denouncing the movie as a feminist film in disguise.

Our review sparked heated debate over the film, and while many claimed the movie was one of the greatest action films of all-time, others pointed out that Fury Road was simply a “trojan horse” movie that used fast cars, guns and explosions to preach feminist propaganda to men without it being too obvious.

Just look at what Time Magazine said about Fury Road:

Here’s a surprise: Tom Hardy, a.k.a. Mad Max, isn’t the star of Mad Max: Fury Road. Charlize Theron is. An even bigger surprise? Vagina Monologues author Eve Ensler consulted on what turns out to be a very feminist film….Theron, not Hardy, leads the charge; she also does the majority of the fighting.

And here’s what Return of Kings said about the movie:

Fury Road was not going to be a movie made for men. It was going to be a feminist piece of propaganda posing as a guy flick. And like “1886: The Order” I would be let down, and would have to pin my hopes on something else.

The real issue is not whether feminism has infiltrated and co-opted Hollywood, ruining nearly every potentially-good action flick with a forced female character or an unnecessary romance sub-plot to eek out that extra 3 million in female attendees.

It has.

And the real issue is not whether Hollywood has the audacity to remove the name sake of a movie franchise called MAD FREAKING MAX, and replace it with an impossible female character in an effort to kowtow to feminism.

It has.

It’s whether men in America and around the world are going to be duped by explosions, fire tornadoes, and desert raiders into seeing what is guaranteed to be nothing more than feminist propaganda, while at the same time being insulted AND tricked into viewing a piece of American culture ruined and rewritten right in front of their very eyes.

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