April 12, 2013
Renowned illustrator Anthony Freda has issued a prediction – Alex Jones will soon make it to the cover of TIME magazine.
In a tongue-in-cheek image sent to Infowars.com this week, Freda features Jones on the cover of the weekly magazine founded by Henry Luce, a key figure in the CIA’s successful media takeover, Operation Mockingbird.
THE MOST DANGEROUS MAN IN AMERICA, a headline screams.
Indeed, according to the corporatized establishment media, Alex Jones is near if not at the top of the list of dangerous Americans – dangerous because he is unswerving in his dedication to the Constitution and the founding principles of the republic… principles the elite and their pawns are desperate to destroy along with Jones and millions of others hankering to take back their birthright from a predatory global elite.
Jones was in large part cast as a bad guy by the Southern Poverty Law Center, an organization responsible for demonizing hundreds of activists and portraying them as mentally deranged and violent terrorists, if not lunatic racists bent on taking down Obama due to his accumulation of melanin. According to the organization, another Oklahoma terror act will go down if the government does not immediately convene a McCarthyesque inquisition.
Of course, all this manufactured paranoia is absurd, as the faux cover of TIME comically demonstrates. Alex Jones is not a member of the Aryan Brotherhood or the Ku Klux Klan, organizations routinely portrayed as interchangeable with constitutionalist and patriot organizations and individuals. Under COINTELPRO, the FBI effectively turned the Klan into a ludicrous shadow of its former self. In fact, as the trial of the racist talk show host Hal Turner in 2009 revealed, it is fair to conclude the government is behind much of what passes for the so-called white supremacist movement in America. Despite this reality, the corporate media continues to trot out the SPLC’s Mark Potok who issues histrionic warnings of a militia apocalypse.
The TIME cover is but a glint of Anthony Freda’s extensive catalog. Much of it consists of scathing and spot-on social and political commentary. Below we feature a few examples.
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