April 7, 2010
I was just on Democracy Now along with WikiLeaks’ Julian Assange discussing the Iraq video they released yesterday, and there’s one vital point I want to emphasize. Shining light on what our government and military do is so critical precisely because it forces people to see what is really being done and prevents myth and propaganda from distorting those realities. That’s why the administration fights so hard to keep torture photos suppressed, why the military fought so hard here to keep this video concealed (and why they did the same with regard to the Afghan massacre), and why whistle-blowers, real journalists, and sites like WikiLeaks are the declared enemy of the government. The discussions many people are having today — about the brutal reality of what the U.S. does when it engages in war, invasions and occupation — is exactly the discussion which they most want to avoid.
But there’s a serious danger when incidents like this Iraq slaughter are exposed in a piecemeal and unusual fashion: namely, the tendency to talk about it as though it is an aberration. It isn’t. It’s the opposite: it’s par for the course, standard operating procedure, what we do in wars, invasions, and occupation. The only thing that’s rare about the Apache helicopter killings is that we know about it and are seeing what happened on video. And we’re seeing it on video not because it’s rare, but because it just so happened (a) to result in the deaths of two Reuters employees, and thus received more attention than the thousands of other similar incidents where nameless Iraqi civilians are killed, and (b) to end up in the hands of WikiLeaks, which then published it. But what is shown is completely common. That includes not only the initial killing of a group of men, the vast majority of whom are clearly unarmed, but also the plainly unjustified killing of a group of unarmed men (with their children) carrying away an unarmed, seriously wounded man to safety — as though there’s something nefarious about human beings in an urban area trying to take an unarmed, wounded photographer to a hospital.