November 11, 2010
Below are three paintings prominently featured in the Bank of America Corporate Center in Charlotte, NC along with interpretations sent to us by a listener. This fresco was created by artist Benjamin F. Long.
Benjamin F. Long’s first secular fresco, and his largest work to date, consists of three panels composed for the dedication of the Bank of America Corporate Center dominating the lobby as no other artwork could, the panels present the themes of making/building, chaos/creativity, and planning/knowledge in an daring blend of abstract and realism, set off with touches of gold.
The interpretations below were sent in by a listener. Please comment below with your interpretations of what your take is of these fresco.
This is the first of three in the order of timing of events. You see the classic Masonic checkered floor as part of the landscape that they control. You see the classic blond-haired, blue-eyed Arian “youth” in the classic Masonic heel-to-heel 90 degree stance. Take note to the burning bush blowing dead West. I see this as the Western World being burned and this is the current state of the dismantling affairs of the U.S. while Americans (in general) go unaware. I see this because of the white man right next to the burning bush and he is wearing a red sweater and blue jeans. Red, white and blue. He represents the majority of unaware Americans and remains distracted via the book he is reading while the bush (which again represents the Western World) is burning to the ground right next to him. Now, take a look at the female puppet on strings being controlled. Could this mean that the next President will be a woman? Most important is the group of characters at the bottom-left. This clearly shows a colonial forefather arguing with modern day “suits”. This is highly suggestive of constitutionalists arguing with the “New World” unfolding. Notice they are pointing to the Masonic Arian as the subject at hand? This suggests the Tea Party Movement and the fight against the coming-out of World Government. This is (now) in the first of these three key time eras.
This is clearly inside the FEMA camp “era” we will soon move towards. You can see the back wall and you can see the side wall with barbed wire. You see the Elite above circling free and naked in their wealth and disgusting power while being separated from the chaos below via the net. They continue to oversee. Key characters in the crowd are Hazmat and Marines carrying rifles. You see all races and creeds as well as a Catholic Bishop, a Nun, a handcuffed man, a gas masked person, etc. You see an active burning industrial building in the background suggesting a crematory (think of the possibility of a mass of dead infected people from a biohazard release.) You see the classic Nazi gold eagle and flags. You see blank street signs suggesting you have nowhere to go. You see blank protest signs suggesting you have no voice. You see a cameraman in the dead center of the bottom of the painting with his camera looking right back at you (with your camera.)
This is the final sequence preceding the FEMA camp era. Here you see the surviving slave population working below to acquire the wealth of the world. The shovel heads are rich gold in color suggesting gold as the resource to secure. Look at the next level of architecture above ground. You see the higher-level (educated/skilled) slaves re-building the “New World” while the Elite sleep restfully above in the hills continuing to oversee all operations. Although the basic architecture is similar to the current architecture of society, the picture is highly suggestive of the “rebuilding era” due to the clear portrayal of clean landscapes and “work” underway. This is the final era they are working towards once most of us have been eliminated and the “New World” is underway being rebuilt. What does “EQ” stand for on the red sign?