On April 21, 2011, Mark Boal called the CIA to tell them he was going to Afghanistan.
The previous year, the screenwriter had been at a dinner when CIA director Leon Panetta asked Boal to alert the agency if he ever traveled to the country. At the time, Boal was working on a movie called Tora Bora, about the CIA’s failure to capture Osama bin Laden in the immediate aftermath of the 9/11 attacks. The title referred to the region in eastern Afghanistan where the US felt it had let bin Laden slip through its fingers during a battle in December 2001.
But less than two weeks after Boal made the call, a team of Navy SEALs raided the al Qaeda leader’s compound in Pakistan and killed him. Boal would not be going to Afghanistan after all.
Instead, he stopped writing the script for Tora Bora and began writing a different screenplay about what one lawmaker called “the most classified mission in history” — the killing of bin Laden. That movie, which Boal would work on with director Kathryn Bigelow, would become the 2012 Oscar-winning film Zero Dark Thirty. And the CIA would play a huge role in the creation of the script.
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